Quickly, cause half asleep.
1) Yes. Angel Heart is one of my favorite (no pun intended) movies. Actually i always liked pseudo-voodoo movies, even when they are "politically incorrect" (that is, anthropologically incorrect, and politically harmful), which they basically always are. I just like the voodoo synchretism style, this mix of exotism and familiar.
2) Ravenous is great, as i've mentionned already, and its soundtrack is a good contender for the best in history of cinema ever (invoking the leone/morricone collaboration is deemed cheating). Its postulate is just a bit too fairytalish, pushing it more towards allegories à la Company of Wolves than pure thriller, though. But the carlyle-in-front-of-the-cave scene is fantastic.
3) Noroi aka The Curse is a nicely creepy slow burn effect movie.
4) God the Hellraiser series is bad. Which is bad, for such a nice concept and design.
5) Into the Mirror is a clever movie, with a cunning use of all things mirror-y. And a very nice ending. Just like endings can ruin a horror movie by admitting there was no plot intended, endings can also make a good horror movie on their own.
6) This almost saved Reincarnations. The ending made the film way better than it felt during the whole viewing. Still, no thrill during two hours still make it hard to redeem retroactively. Almost succeeds to, though.
7) Yeah, Ils is on my list (if just to check if the current trend of awful french acting is also noticable in 'genre movies'), but without anticipation, as pure slasher siege things plots tend to bore me almost as much as the complementary vigilante movies.
8) Don't know what else i wanted to add but i'm asleep anyway. Something about limited interest for the is-it-demonic-or-psychological trend of possession movies, as i have limited interest for this pseudo question. So i kinda expect my movies to be about magic and stuff, instead of trying to represent some false debate on screen. Still, i don't remember if this applies to Emily Rose or to The Last Exorcism, of both. And anyway, those that have sequels (is it both?) kinda answer the question in a cinematographically satisfying way, i assume...
9) Note to self: Must totally make a two-entries table, tomorrow, about which modern flick is a combination of which classic. With stuff like The Conjuring at the intersection of the Amytiville row and the Exorcist column, Noroi at the intersection of Blair Witch and The Omen, etc...
10) Is blair witch a classic, actually? It's sufficiently referenced, i guess, and it did work on me pretty well, to be honest.