Ruiner spends a lot of time building its cyberpunk, transhuman, industrial world, so it's a great help that the soundtrack fills that with an absolutely gorgeous soundscape filled with heavy trance, witch house and Electro. This soundtrack has both a Lossy MP3 and a FLAC version, with album art. Most tags are there as well. Soundtrack, and music standalone, are fantastic. Easily 5 stars, and although my favourite track in the game, duel 35, isn't included, it's still a great compilation of tracks. Neither is one of the best ambient tracks in the game, Island Door. This backtrack for Rengkok south is fantastic, and it's a pity it's not included. Look at the other review for the 2 missing tracks' title. Favourite Track: Sleep Paralysis - Sidewalks and Skeletons.
As far as i am concerning, no other first person shooter has a better slow motion system. The fantastic feeling of overcoming the odds and taking out squads as you slip around corners taking them out is like no other. I've played this for well over 100 hours on steam, and I've almost come back for more. Is it dated as all hell and kinda buggy sometimes? Yeah absolutely. Does the game hold up? Absolutely. The only thing that's a bit of a drag is the campaign's pacing. The middle section in Armacham Offices take a huge section of the game. The game is also Just a heads up you will need some patches and DLLs to make it run on modern machines, alone with more supporterd resolutions. I'd also recommend enabling EAX, especially if you have set up that'll benefit from it. The sound design is immaculate in this game, and it's a pity a bunch of it is locked behind some janky crap from a decade ago. Check PCgamingwiki and you're good to go. Just don't play Perseus mandate. it's janky and buggy and isn't as fun. Extraction Point is a great expansion, adding more enemies, weapons, areas and mechanics, including punching doors open. The only problem is that once you've played this I don't know what else to recommend. Trepang 2 I suppose, but as of now that's early access.
