This is a real creepy game with poltergeist manifestations ( a stool moving byitself, banging on the doors, doors which you opened are at once blocked). I wouldn't recomlmand to people who get quickly scared because they might get nightmare from this game. in ambient very close to Layers Of Fear.
Played it a few hours and it seems good. Good storytelling, good graphics. The tutorials might seem a bit too invasive, but then again, one needs them in the beginning.
This is my favorite of the Broken Sword series. Good story(but they all have) , good puzzles to solve. The completely mouse driven gestion needs some adataption the first time you play, but once used to it feels rreally well. Definite a game to have, to play and to replay over and over again. At the time I write This, it must be the fith time I'm playing The Angel of death and I still enjoy it as rhe first time, though having far less problemsin the puzzle parts
This game changed the genre of puzzle games for evere
really feels like playing the 7th guests again in a complete new version and a sequel to the original storyline
me fait beaucoup penser à la série Sherlock Holmes, également de Frogware.
Malgre son age le jeu reste interssant
I've played a lot of Sherlock Holmes games (from the first ones to the latest) and most of those I've enjoyed. But this one... well... no. To much pixelhunting. Evidence you need to gather just for the quizz at the end of the chapter (or day if you like) but with no whatsoever relation with evidence for the case. And than those timed puzzles. Each tilme you've got one of those, if your click is a bit out of the line, your personage stays standing there contemplating his own toes. Naah! This is crazy driving, this is only a way to make the game longer lasting before ending the game. If the dev's had not put al those - what I call - non-existential obsticals, I suppose one could get through this game in less than 8 hours Honestly there are better games to spend your money on; even Dherlock Holmes games developed by Frogwares.
