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The Dig®

w bibliotece

4.5/5

( 126 Recenzji )

4.5

126 Recenzji

English i 4 innych
5.995.99
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The Dig®
Opis
A DEEP SPACE ADVENTURE BY SEAN CLARK IN COLLABORATION WITH FILMMAKER STEVEN SPIELBERG An asteroid the size of a small moon is on a crash course toward Earth, and only NASA veteran Boston Low has the expertise to stop it. Along for the ride are award-winning journalist Maggie Robbins and internation...
Opinie użytkowników

4.5/5

( 126 Recenzji )

4.5

126 Recenzji

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Szczegóły produktu
1995, Lucasfilm, Klasyfikacja wiekowa ESRB: Everyone...
Wymagania systemowe
Windows XP/Vista/7/8/10, 1 GHz, 256 MB RAM, 3D graphics card compatible with DirectX 7 (compatible w...
Czas gry
7 hGłówna linia fabularna
7.5 h Główna linia fabularna + dodatkowe zadania
7.5 h Kolekcjoner
7 h Wszystkie style
Opis
A DEEP SPACE ADVENTURE BY SEAN CLARK IN COLLABORATION WITH FILMMAKER STEVEN SPIELBERG

An asteroid the size of a small moon is on a crash course toward Earth, and only NASA veteran Boston Low has the expertise to stop it. Along for the ride are award-winning journalist Maggie Robbins and internationally renowned geologist Ludger Brink.

Once the wayward asteroid is nuked into a safe orbit, the trio conducts a routine examination of the rocky surface.

What they uncover is anything but routine.

Low, Brink and Robbins unwittingly trigger a mechanism that transforms the asteroid into a crystal-like spacecraft. The team is hurtled across the galaxy to a planet so desolate, Brink is moved to name it Cocytus, after the 9th circle of Hell in Dante’s inferno. The bleak landscape was obviously once home to a highly evolved civilization, with remnants of sophisticated architecture, advanced technology and an intricate network of underground tunnels.

But no Cocytans.

Who were the original inhabitants of this once rich empire-turned-wasteland? What are those apparitions that mysteriously appear from time to time? Why have Low, Robbins, and Brink been brought to this place? And how can Low keep his team from unraveling in the face of such uncertainty? To return to Earth, they must dig for answers, both on the planet’s surface and deep within themselves.

From the combined talents of LucasArts and legendary Steven Spielberg comes an epic adventure that plunges headlong into the very core of the unknown. And takes you with it.
  • Nearly 200 locations and hundreds of puzzles
  • Robert Patrick of T2 as the voice of Boston Low
  • Special effects contributed by Industrial Light & Magic
  • Dialogue contributed by award-winning sci-fi writer Orson Scott Card
  • Alluring Wagnerian musical score sets the epic tone

LucasArts, iMuse and the LucasArts logo are trademarks of Lucasfilm Ltd. in the United States and/or other countries. © 1995-2009 Lucasfilm Entertainment Company Ltd. All rights reserved. iMUSE is a registered patent of Lucasfilm Entertainment Company Ltd. iMUSE U.S. Patent No. 5,315,057.

Dodatkowa zawartość
instrukcja karta referencyjna nowela novella (Brazilian-Portuguese) instrukcja (German) instrukcja (Spanish) instrukcja (Italian) instrukcja (French) reference card (French)
Wymagania systemowe
Minimalne wymagania systemowe:

ACCEPTANCE OF TERMS OF USE REQUIRED TO PLAY

This game is powered by ScummVM

ACCEPTANCE OF TERMS OF USE REQUIRED TO PLAY

This game is powered by ScummVM

Dlaczego warto kupować na GOG.COM?
BEZ DRM. Aktywacja ani połączenie internetowe nie są wymagane do gry.
Bezpieczeństwo zakupów i zadowolenie. Wsparcie 24/7 i pełen zwrot środków do 30 dni.
Czas gry
7 hGłówna linia fabularna
7.5 h Główna linia fabularna + dodatkowe zadania
7.5 h Kolekcjoner
7 h Wszystkie style
Szczegóły gry
Działa na:
Windows (7, 8, 10, 11), Linux (Ubuntu 14.04, Ubuntu 16.04, Ubuntu 18.04), Mac OS X (10.7.0+)
Premiera:
{{'1995-11-01T00:00:00+02:00' | date: 'longDate' : ' +0200 ' }}
Firma:
Rozmiar pliku:
537 MB
Linki:
Klasyfikacja wiekowa:
Klasyfikacja wiekowa ESRB: Everyone (Animated Violence)


Języki
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español
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français
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italiano
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Opinie użytkowników

Posted on: March 17, 2016

For Nostalgic Seekers Only

I've been waiting since 1995 to play this game but at the time didn't have a PC that could run it and when I did get one no one I knew had the CD-ROM and then I discovered other games, drinking, girls etc. Now many years later I finally got to sit down and play and finish the game. It was certainly a trip back to the old school Lucasarts' point 'n click. I'm going to try to give an objective review since I never played it before now. Audio: I've played both the GOG version and the Steam version. I couldn't read any difference despite what other reviews have said. The music is good, eerie at times, definitely atmospheric and I think works for the setting. A dead alien world. The dialogue is clear and fine but the voice acting is a bit inconsistent. Robert's voice as Commander Low is perfect. You can definitely tell the difference between a professional actor in his element and the other's sometimes wooden delivery of dialogue. That said every does a good job and I particularly liked the Alien language what little is heard anyway. Graphics: They are old. Great for their time. But old. At times I cringed at what used to be so stunning to my generation back in the day. Some of the cut scenes are quite good actually. The Tram underwater scens looks impressive for their time and I imagine I would have been blown away back then. Gameplay: The puzzles are tough. There is little in the way of hints. If you miss something going back through the tunnels and trams is tedious and annoying. Though you can at times skip bits of it by double clicking on the edge of the screen and you'll jump to the next scene which can be handy. The game requires you to figure things out by trial and error. Click part A to parts B thru Z and you may find a connect. Honestly... use the youtube walkthru if you get stuck. The game should be about enjoyment... no one is going to judge you for cheating on a 22 year old game when you get stuck. Some of the solutions are ridiculous and there is one puzzle I would have strangled the devs for at an early stage in the game that I think almost broke me. Surprisingly there is no combat like in Indiana or Monkey Island which I think is a bit of a let down when you're supposed to be a tough military commander and you get your ass handed to you by a scientist... twice! There are limited people to interact with and in that the game gets very lonely in a way. Overall I liked it and it was fun to play it because I missed out all those years ago but... I don't think it's for anyone unless it's on your bucket list.


Czy to było pomocne?

Posted on: December 6, 2022

Surprisingly Good!

I didn't have much faith in this Point-and-Click Adventure when I'd heard that Steven Spielberg was involved - I've seen Ready Player One; this man doesn't know video games - but it's actually REALLY good. It starts out like that asteroid movie (you know the one), but with a painfully shoehorned in plot twist less than 5 minutes in, it turns into something much more. The world is as beautiful as it is eerie, and an absolute wonder to explore, not to mention that you'll find a central hub area and numerous shortcuts, so it's quick and easy to get around. Most of the puzzles are pretty logical, too, so while you might need a guide, it's more to reign in the massive amount of things you'll be keeping track of than, "What does this lever do? I've been stuck here for 3 hours!" The only real flaw is the dialogue, which is so '90s it hurts. Seriously, I don't mind things that are a product of their time, and there are worse eras than the '90s, but SO MUCH of the writing is filler comprised entirely of "witty" and characters just being insufferable to each other and to the player. Some of the zingers don't land because of this, too; it's from that era where everyone was "trying too hard," so a lot of them are delivered in such a flat tone that they don't really work. There are lots of potential interactions with the characters with very well fleshed out dialogue trees that I just didn't bother with because I hated most of the characters. It's a pretty minor nitpick, though, since the visuals and exploration really do a good job of carrying the game.


Czy to było pomocne?

Posted on: March 19, 2016

Nostalgia glasses needed

I loved this game when I was a kid as it was one of the first games I bought myself. The mysterious science fiction atmosphere was cool. However, I wasn't able to finish it as a kid. I got relatively far, but there were too many long stretches where it wasn't clear where to go next. Now out of nostalgia I downloaded "The Dig" again. It brought back old memories and was a fun experience to play through the whole thing. However, reading through other reviews, I would concur with a lot of the criticism. Positives: the atmosphere of the game is top-notch. The ambient symphonic soundtrack, beautiful painted backgrounds, and realistic sound effects (footsteps clicking on stone, crunching on sand) make the game extremely immersive. Negatives: The desolate atmosphere of the game, while mysterious at the beginning of the game, starts to wear thing by the middle. The beginning of the game after you arrive is the most fun, because at the point the world is relatively open, there are multiple items to collect, and there are some relatively fun trial-and-error puzzles. After that, the game starts to get frustratingly linear. You are supposed to go certain places, or talk to certain people or show them things only in one particular scene, and there's no kind of nudge or clue as to what or where that should be. The mysterious empty atmosphere of the game starts to get, well, boring, as you half to (slowly) walk back and forth between the same scenes, all across the game world, to collect one item or talk to one person. After a certain point, the puzzles stop being puzzles, and the game becomes a sort of wandering around, looking for the one trigger to advance the storyline, and finding it often has nothing to do with logic. I wish the game would provide more clues from dialogue as to where to go next. I also thought the puzzles sucked after the halfway point. The ending was also really cheesy too, and I would agree with the dialogue/voice acting being stiff. But still a cool game.


Czy to było pomocne?

Posted on: March 18, 2020

Nice atmosphere but unlogical puzzles

The graphics are quite nice, the world is quite hypnotizing, the music is very immersive. But the puzzles, as in most point'n clicks, just lack of logic. So sometimes you'll be stuck somewhere, and the soluce is quite lame, and when you start doubting of the quality of the puzzles, it's hard to really keep trying since you always fear that the reason why you're stuck is you or the poor quality of the puzzle. It's still nice do to the game with the soluce near you, it's still a good experience.


Czy to było pomocne?

Posted on: December 6, 2015

A Weaker Lucasarts Entry

I enjoyed this game a lot more back when it came out than I do today. I'd give it three and a half stars if I could- it's not exactly bad, but it doesn't hold up well compared to many others in the genre. Probably the biggest reason is the reliance on the scenery. The Dig was a little different than other adventure games in that there weren't a lot of hotspots to click and explore- the bulk of the game was the atmospheric beauty of the alien planet, with maybe two or three things to explore on each screen- some screens literally have nothing but an entrance and an exit, and you're meant to enjoy the scenery while waiting for your character to traverse between them. While it was visually impressive back when it came out, the graphics are nothing special today, and the reliance on them doesn't help. The backgrounds begin to look a little repetitive (everything is a sunset-lit ocean view), the animation is a little off sometimes, and the spider-monster in particular looks rather primitive. The story and dialogue also are less impressive than they were when I was 13. The story is fairly straightforward, and, while interesting, not a lot actually happens while you wander about fiddling with alien machinery. The characters never develop all that much, aren't particularly likable (especially the hero, Boston Low), and their dialogue, while often realistic, can also be a bit bland, and the numerous attempts at humor fall flat. The exception is Brink's descent into madness, which, while shallow on the whole, is well-acted and full of biting sarcasm, venom and increasing paranoia. The biggest flaw is probably the ending- after building up the danger with lots of ominous dialogue and warnings, the supposedly planet-ruining peril is resolved near-instantly in an almost casual manner. While still a pretty good adventure game, its weakness compared to eternal classics like Indiana Jones and the Fate of Atlantis, Gabriel Knight or King's Quest VI really show in the modern age.


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