All four Syberia Games are available in the Syberia Collection at a bargain price!
©2022 Microids SA. All rights reserved. Developed by Microids Studio Paris and Koalabs. Author and Artistic Director : Benoit Sokal. Published by Microids SA. All rights reserved
Game length provided by HowLongToBeat
Posted on: July 13, 2023
Ophelia85
Possesseur vérifiéJeux: 75 Avis: 5
Disappointment
This is even farther away from what the Syberia games used to be. The camera is even worse than in Syberia 3 and clearly, the game was made for console first and got a bad port for PC. Yeah, it looks good, the story is ok but the controls are atrocious. If you were considering getting this game because you liked the Syberia games so far, don't. You'd be disappointed.
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Posted on: April 19, 2022
Lemorack
Jeux: Avis: 7
Thank you for making this game <3
What an absolutely wonderful game! I'm genuinely speechless. This game was made with love, and you will love it in return. A truly emotional journey from start to finish. Do yourself a favor and give it go. You will not regret it. My heartfelt thanks to the developers! I'm so happy I chose to play this, I'm so happy this game got made <3
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Posted on: October 3, 2023
argos_austral
Possesseur vérifiéJeux: 71 Avis: 2
Chapeau! Les Belges!
La BD! Les frites! Les gaufres! La musique! L'art Nouveau! La bière (Ah! La Bière!), Poirot et maintenant Benoît Sokal, seront toujours présents dans mon esprit. Je dois admettre qu'au début, le jeu ne m'a pas séduit. J’aie cru avoir besoin de quelque chose de plus vivant. J'avais tort! Subtilement, l’histoire nous saisit. Vous êtes dans un monde qui vous embrasse absolument. Les arrière-plans, la lumière, la musique, les gens que l'on connaît, les détails - l'architecture, les machines, les paysages et la profondeur des personnages, principaux ou autres. L'Art Nouveau est partout. Quelle grâce, si pleine de mouvement, d'énergie, de vie! Cela se marie si bien avec l'essence du jeu et sa qualité «Steampunk», toujours présente dans ces jeux.: La Place de la Musique! Ces tramways! L’orchestre! Un jeu lent, calme, constant. Je l'ai trouvé assez différent des premiers. Moins aventureux, plus concentré sur les deux personnages principaux et ce qui les relie, si intensément et émotionnellement - moins d'énigmes, une plus grande introspection sur la nature/essence humaine, ce qui la stimule. Certains d’entre vous pourraient y voir un aspect essentiellement politique. Oui. Cela fait partie du récit, de l’Histoire. Mais l’histoire va plus loin que cela et si vous ne pouvez pas la percevoir, vous ne devriez pas jouer ce jeu. C’est surtout très émouvant. Une histoire où l'on rit rarement, mais où l'on sourit souvent. Tellement plein de drames humains et de toutes les tragédies, déceptions et douleurs qui vont avec. Mais aussi si captivant, si plein de chaleur et de soins. L’effort qui a été mis dans ce jeu ! Plus important encore l’amour, cette douce étreinte qui vous entoure tout au long du jeu, cela peut être ressenti physiquement. Et puis, à la toute fin La Surprise! (Pas vraiment!) L'énergie et la spontanéité de Kate vous ramènent à votre propre passé lorsque vous jouiez aux premiers jeux! Préparez vos mouchoirs! P.S. : je laisse les détails techniques aux autres.
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Posted on: October 30, 2023
joe451
Possesseur vérifiéJeux: Avis: 1
Beautiful storytelling, world-building
Narrative threads and visual motifs from prior Syberia entries are expertly woven together to produce a satisfying and surprisingly emotional experience -- enough even to stir feelings in a particularly jaded automaton. The puzzles are mostly quite simple and mainly serve to drive the plot forward. They do get a bit more substantial in the second half and are well grounded in the context of the world and the task at hand. While it lacks some of the bleak, austere atmosphere of Syberia 1, it exceeds in the magical world building and bittersweet yearning that Syberia is known for. It is like a love letter to an alternative, romanticised world and era that is based in the imagination. The friction between this ideal and the often grim, messy reality is a theme that is tackled head-on. Mechanically, it is not perfect. The path-finding and moving Kate around can be frustrating in parts. I found that it only poses momentary hurdles, though. Pity, it would have been nice for more fluid navigation. (A long-standing Syberia shortcoming) I would suggest this game would have a much greater impact for those who have played the series, at least Syberia 1. However, the recap does a decent job of re-establishing the context.
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Posted on: December 11, 2023
joebrueske
Possesseur vérifiéJeux: 205 Avis: 5
Beautiful and Worth Spending the Time On
I feel like this is as good a wrap on the series as any. Like other reviewers, I don't think I need to repeat that this is more of a visual novel. It's similar in the vein of Life is Strange and other story based games that have some puzzel elements. Syberia 3 felt more balanced, as there were still some serious puzzles that took me a bit to conquer. There were very few in this game that posed a challenge. I don't find myself to be very clever. For instance, a guide needed to explain the fish in Guybrush's inventory was a red herring, which I needed to use to destract a troll with in Secret of Money Island. When I watched the trailer and played the demo, I knew I just needed to play the whole thing. It was just stunning all the way around. The music adds to the environment, and was a wonderful complement. The environments just made me want to visit areas of Europe. I felt the quite town close to the Swiss Alps was perfectly done. It was also nice to see the passage of time as you progressed through the story. Though, it felt like it was perpectually morning or late afternoon to make it a bit more moody. The story was fairly compelling. One piece of the Syberia games I've always been a bit annoyed with has been Kate's constant desire to just keep jumping around. It's addressed and wrapped up, a bit, here. So, that's good. There were plenty of points later in the story line where I was a bit surprised why they went a certain direction. It started feeling a bit soap opera-ey at the end. Then it was over, so it was mostly believable. For me it's a bit difficult suspending disbelief on a few pieces. For instance, no one seems to have a cell phone in 2005 in a major fictional city in Europe? Some of the dialog is pretty odd. Background noise was sometimes oddly chosen too. Felt like a weird mix at times. I had a few performance issues during action scenes with VFX even with RTX 3060. Navigation is a bit wonky with camera angles. Puzzles too. Not as bad as S3 though.
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