Posted on: July 10, 2022

SpliffyB
Possesseur vérifiéJeux: 393 Avis: 3
The Watchmen of third person shooters
Probably one of IO's most deeply misunderstood games, unfairly mired in controversy generated by reviewers too stupid to grasp that the characters in the game aren't supposed to be likeable or aspirational. Are there problems with the game? Absolutely. The Cuba segments are a clearly rushed meatgrinder where you'd absolutely be forgiven for dropping the difficulty to easy or exploiting the unlimited resurrection mechanic in co-op. But those who stick with it will be rewarded with one of the most unforgettable plots in videogames. I do not make the comparison to Watchmen lightly. In the way that Alan Moore delved into the broken psyche required to produce a costumed vigilante, Kane & Lynch: Dead Men unflinchingly examines what the life of a videogame protagonist would actually be like. These men are monsters, emotionally dead, only alive when they're taking lives. Everything they set out to do fails, and their attempts to dig themselves out of the situations they created only bury them deeper in blood. Good intentions are meaningless, family is a death sentence, and betrayal is inevitable. There's not going to be a happy ending here. But what an ending it is, with a devastating payoff no matter which route you choose. Is this most "enjoyable" game? No, but it's not really supposed to be. IO would perfect this aggressive approach towards the player with Dog Days, which strips the Kane & Lynch formula down into a brutish, nasty and short assault on the senses, by comparison to which this game feels slightly weightless by comparison. But the writing and performances in this game stand far above any shortcomings the gameplay experience may present. If you're at all interested in gaming as a storytelling medium, this is one of the most fascinating works the shooter genre has produced.
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