Posted December 11, 2010
I share rabblevox's love for The Decemberists. As far as I'm concerned, they, along with The National, are the two most important acts in indie-rock innovation today. The National's 2010 album, "High Violet," has been worth every penny.
Shout-out to my favorite band Rasputina's 2010 release, "Sister Kinderhook." Got to see them in concern last summer when they blew through my home town, for the fourth time in my life. Live they're a religious experience on par with William James to me, and the album is the latest wrinkle in their "chamber-grunge" cello ensemble. Always unique; I've never heard any other band that had the same vibe or level of classical-experimentation, especially lyrically. The closest thing was a short-lived girl-band of "punk-folk" North Carolina musicians from the early 90s named "Blackgirls" who have been consigned to oblivion since then.
Also, Saddle Creek's own darling-duo Azure Ray got back together this year after a 7 year recess, and for those who like breathy, acoustic songs of bittersweet melancholy, they do it best. They sort of fit the "dream pop" category. Their album this year, "Drawing Down the Moon," is a fine return to form, better than the solo stuff they individually doodled around with in the interim.
Shout-out to my favorite band Rasputina's 2010 release, "Sister Kinderhook." Got to see them in concern last summer when they blew through my home town, for the fourth time in my life. Live they're a religious experience on par with William James to me, and the album is the latest wrinkle in their "chamber-grunge" cello ensemble. Always unique; I've never heard any other band that had the same vibe or level of classical-experimentation, especially lyrically. The closest thing was a short-lived girl-band of "punk-folk" North Carolina musicians from the early 90s named "Blackgirls" who have been consigned to oblivion since then.
Also, Saddle Creek's own darling-duo Azure Ray got back together this year after a 7 year recess, and for those who like breathy, acoustic songs of bittersweet melancholy, they do it best. They sort of fit the "dream pop" category. Their album this year, "Drawing Down the Moon," is a fine return to form, better than the solo stuff they individually doodled around with in the interim.