What Remains of Edith Finch is a collection of strange tales about a family in Washington state.
As Edith, you’ll explore the colossal Finch house, searching for stories as she explores her family history and tries to figure out why she's the last one in her family left alive. Each story you find l...
What Remains of Edith Finch is a collection of strange tales about a family in Washington state.
As Edith, you’ll explore the colossal Finch house, searching for stories as she explores her family history and tries to figure out why she's the last one in her family left alive. Each story you find lets you experience the life of a new family member on the day of their death, with stories ranging from the distant past to the present day.
The gameplay and tone of the stories are as varied as the Finches themselves. The only constants are that each is played from a first-person perspective and that each story ends with that family member's death.
Ultimately, it's a game about what it feels like to be humbled and astonished by the vast and unknowable world around us.
Created by Giant Sparrow, the team behind the first-person painting game The Unfinished Swan.
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Very well put together gem of a narritive driven exploration game here with some beautiful visuals. What Remains of Edith Finch is very much a game that keeps you engaged to the end with its pacing, and the creative ways in which you experience the stories of Edith's family. And you can't help but feel for their family after seeing how they tried to navigate through all their stories over many generations.
What remains of Edith Finch deserves all the good recommendations it has received and I would recommend you give it a play through.
A very well told story and I like how you got to experience the different characters.
There is a lot of details to look at when wander around which is very well done.
The atmosphere where it all is played out is very fitting and good.
It is a very a short game and I got it on a sale and found it to be worth it.
Be warned, this is a barely interactive 3D graphics movie and you'll finish it in one sitting (it's about 2 hours long). Essentially, you follow one single path throughout the house and once you reach a story trigger you get locked into a cutscene where you press prompts to see stuff happen. The story is not very coherent, but if you like mysterious for the sake of mysterious, then give it a try.
What Remains of Edith Finch is a brief but intriguing exploration of the possibilities of interactive fiction as a storytelling medium. Calling it a game is mostly a courtesy. There are no puzzles to solve and no choices to make that affect the outcome. There is no objective beyond witnessing, quite literally first-hand, the mysterious, bizarre, and sometimes tragic deaths of four generations of the eccentric Finch family as you guide Edith through the family home. However, What Remains of Edith Finch delivers on what it aspires to be, and in that context the accolades are understandable.
I did find the lack of freedom disappointing. The game presents a visually intriguing environment, then prevents us from interacting with the vast majority of it. Of course, any game only allows you to do what it wants you to, but in this one that's so little that it felt claustrophobic at times.
Among the highlights for me were the house's amazing visual detail and the use of a variety of mechanics to present the family vignettes. The latter is like a brainstorm session realized. None of these mechanics are very deep, but they are presented in a way that almost challenges other interactive storytellers to build upon them.
The marriage of story and setting is superb, and together they come across as curiously believable despite being outrageous. In this respect, the vignettes are almost metaphors for the game itself -- the things we believe can be real to us whether they make sense or not -- and perhaps that's even intentional.
What many gamers will struggle with is the need for what happened to make sense. There's no mystery to solve, although it feels throughout like there should be one. There's no great revelation that explains why the events we got to experience happened. And that's actually fine. Sometimes letting the audience figure out what they want to make of it all is more meaningful than telling them what really did happen (see David Lynch movies).
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