Discover the legacy and embark on the journey to Amerzone.
Buy now!
All four Syberia Games are available in the Syberia Collection at a bargain price!
Kate Walker, a young ambitious lawyer from New York, is handed what seems to be a fairly straightforward assignment. Just a quick stopover to...
Discover the legacy and embark on the journey to Amerzone.
Buy now!
All four Syberia Games are available in the Syberia Collection at a bargain price!
Kate Walker, a young ambitious lawyer from New York, is handed what seems to be a fairly straightforward assignment. Just a quick stopover to handle the sale of an old automaton factory hidden in the alpine valleys, then straight back home to New York. Little did she imagine, when embarking on this task, that her life would be turned upside down.
On her expedition across Europe, traveling from Western Europe to the far reaches of Eastern Russia, she encounters a host of incredible individuals and locations full of extraordinary machines and an amazing atmosphere. In her attempt to track down Hans, the genius inventor - the final key to unlock the secret of Syberia - she will traverse both land and time on a journey that will throw all that she values into question, while the deal she sets out to sign turns into a life-changing experience.
For me it's one of the most fantastic point-and-click adventures ever!
Great story, brilliant voice acting, unforgotable mood and above all amazing pictures that have unique style that only few artists can create.
Back in the day this game was glorious. A P&C adventure with top graphics and design. Almost 20 years later I think it's worth playing it mainly because of the story and setting. The graphics are still very good and still get you to marvel at Sokal's imagination.
What I didn't remember was that the puzzles were fairly easy. There is no combination of items. The puzzles are straightforward because of that and because we never have many items in the inventory. This could also be seen as the puzzles being extremely logical without insane solutions that sometimes the genre has.
The other downside I detected was the dialog system. The options are pretty generic and sometimes you don't know what Kate will say different, for example, between "Mission" and "Help". The other thing is that sometimes the dialog would ignore what was already said or viceversa (mention someone as if already talked about).
Despite this I think it's a must play, specially for someone that wants to start in this genre.
Let's start with my biggest issue with Syberia: while its puzzle-solving is not the most esoteric ever seen in a point-and-click game, it occasionally relies on finding “blink and you'll miss them” details and clues. Some problems are more easily solved through lucky guesses rather than logical thinking, and it's not uncommon to lose track of your objectives and wander aimlessly because you failed to notice a pathway or an item lying around. In short, Syberia probably isn't a very good pick if you're unfamiliar with the PnC genre. You also tend to move slowly around the world, which contributes to the contemplative mood of the game but can be annoying (even if you can run by double-clicking).
Despite its frustrations, Syberia has many redeeming features. It does a really great job when it comes to atmosphere, worldbuilding and storytelling. On a technical and artistic level, all backgrounds are beautifully rendered (even if the resolution is low even by 2002 standards), and the music is great. The world and tone feel pretty different from what you would expect from, say, an American or Japanese game: it has a unique steampunk aesthetic which really make it stand apart.
It has a surprisingly compelling mood, as it is very melancholic in its visuals, in its music, but also in its plot. The story takes place in once-prominent cities that are slowly decaying, and involves a lot of old characters who have powerlessly witnessed the end of their golden days: it deals heavily with themes such as nostalgia, the death of the “good old times”, and the toll technological progress can take on society. It's not something you'd play to cheer you up, but it is still light-hearted and has a lot of humor. My issue is that the ending is kind of sudden and pretty much forces you to play the sequel.
So, while Syberia won't resonate with everyone, has its flaws and is a bit overpriced for such an old game, it's memorable in many regards and will likely satisfy fans of the genre.
I was surprised by the amount of criticism in the top rated reviews here, and while I do acknowledge that there are design flaws with Syberia, I see them more as background noise.
I first played this game in 2008, and after playing Syberia 2, so even then I approached it as a slightly aged game. Yes, the movement is clunky, the inventory is largely pointless and the puzzles are lightweight, but I didn't notice any of that because the game is just beautiful to look at, listen to and breathe in.
Almost every screen is gorgeous, and I found that I enjoyed walking into a location for the first time and just taking it all in. I see that a lot of people point this out as a con: there are a lot of locations that are just "in-betweens", and I can understand that being bad design in an action game where the pace is important, but here, I just don't mind it at all. As far as I'm concerned, it's as if they built extra locations to show off Benoit Sokal's art, and I am on board with that.
The soundtrack is a classic, albeit a short one, and I've enjoyed it both in game, and listening to it in general
What I think has aged poorly are the graphics; the early 00s were rough in that sense, and it really shows here. The art direction is good, I think, but the graphical quality brings it down.
The length of the game is the other thing I found disappointing, and you really need to consider this a "part 1", with Syberia 2 being part 2; both should be played together, to have a realistic impression of what the game is doing.
As far as characters go, I never had a problem with any of the characters in the first two games. It's only from the third one that I feel the quality of writing and voice acting goes downhill.
I would recommend this to people who can stomach early 00s graphic adventure design, and who are willing to view the game in the context of the time when it was released.
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