I Have No Mouth And I Must Scream

As my title says, about the game the only flaw I can say it is that there's a hidden morality system that you are never informed about and because it is an older game some of the items are too pixelated to be noticed right away. You'll be devoured by the story, it is incredible and horrible dark and you'll love every bit of it. My favorite game along with Bulletstorm, I recommend both.

Same as Deus_Ex, I must admit I loved Harlan Ellison's short story, and loved the game when it first came out. (I believe I first played the demo of the game, which I found on a now-deceased Polish games magazine's CD - Secret Service.) It swooped me of my feet with its dark, gritty suspense and horror laden atmosphere. One cannot help but feel the oppressive watchful eye (sensor?) of AM on the characters. The story is brilliant. Game is beautifully drawn. A true gem for a discerning, mature player! (I suggest reading the short story first!)

Just when I'd been hoping for more older games to come out among the flood of Indies cropping up of late, GOG pulls out this excellent title. Well done! Anyone who knows the value of Ellison's work will tweak to this titles themes of human morality and ethics. It forces the player to make choices in situations that are questionable. It's also the first real survival horror game made. I can't recommend it highly enough! :)

Very interesting game. Tries to do an exploration of gameplay using protagonists with various neuroses, with varying degrees of success. Sometimes the characters won't do what you tell them to do because of their weaknesses, which can be an interesting problem to solve, but often makes the player wonder if the game is broken (which doesn't help, because sometimes it is). The game's construction is actually very sloppy; the character animation is terrible, the backgrounds vary between ugly painted backgrounds and ugly 90s 3D pre-renders, and it's sometimes easy to get stuck or get a bad ending without any inclination that you screwed up. All that aside, the game actually explores some dark themes, especially for a game from 1995, and I'm tempted to recommend it on its weirdness value alone. Every point-and-click adventure enthusiast needs to give it a try. It does a lot of things wrong and a lot of things right. Much more compelling than the original short story, and Harlan Ellison is killer as the voice of AM.

I am unsure how to feel about the game. It seems to be praised a lot for the story, setting and themes, but while those are certainly not run-of-the-mill, I don't think they are executed perfectly. It's interesting to learn about each of the characters, but every arc is fast, their redemption perhaps too quick. The main antagonist, the AI/super-computer AM, also feels contrived in many ways, which is a problem given how important its role is. This is also reflected in the last "chapter" of the game, which isn't themed around any of the protagonists unlike the previous ones, and results dull overall. On the other hand, the gameplay is better than what the detractors say: You can complete the game without a walkthrough. In fact, you have a built-in hint system. Sure, the hints are cryptic and with how oniric the set-pieces are, things can be confusing, however they are great to know if you missed something, since they won't change until you accomplish the alluded task. While it's possible to screw yourself over, it's actually very hard to, if you pay attention. Save often by all means, but that's all you need, especially for adventure veterans. I read a walkthrough twice: once because I wasn't sure about one interaction (I was worried since I had read you could sequence break and get stuck, but that seems actually hard to do), and the second to confirm a few things in the final portion of the game. This one is poorly done, I must admit, but it's not difficult, just tedious, as you need a specific character first, and there are a lot of completely unnecessary tasks you can chase, until you learn this fact. Some of the required interactions after are unintuitive, but you only have to worry about a handful at this point, so you can trial and error through it easily, if you want. The music is good, and so are the graphics, both building a great mood together. The game overall is probably closer to a 7/10, but it is interesting enough to warrant rounding the score up.