An interesting story and characters hamstrung by falling into the classic trap of devs deciding that all the fun toys you've gotten used to in the core game are not the way they want you to play their new content.
Wanna sneak by those cams with optical camo and the Kiroshis specifically made to nerf cams? Well no, that's not the way we intended for you to get by this so it just flat out doesn't work. You want to dash over the trap door we've set for you? Unless you disarmed it like we wanted you to, you're locked in place while it dumps you. Want to use Sandevistan or Kerenzikov in vehicle contracts? You're not allowed.
I'm still grinding my way through it and finding things to appreciate, but I don't know if I would be if it weren't for the main game outside of it.
Ultimately there is....
...no good outcome for anyone. V can save their life, but at the cost of becoming a nobody, who will never have meaningful chrome again. You betrayed someone who would have rather died than be a weapon for NUSA again, you killed Johnny and all your friends have moved on or are about to. And you sold out to the FIA, where you are surrounded by burned out husks like Reed, while serving power hungry madmen.
The best part about the expansion is that the new ending brings us full circle to Dex's prologue question "A long life as nobody or go out in a blaze of glory". Now that the "long life" option is available, you can make a meaningful choice and are no longer forced into the "Death in 6 months" endings. And suddenly you realize that survival at any cost might just not be worth it, cause the writers believe that Cyberpunk stories must always end badly.
There are so many missed opportunities. Sending Songbird to the moon should either have tied into the Arasaka ending or the Crystal Palace ending, where V also goes into space. Would it have been so hard to have a fixed Songbird come back and help you in these endings, by slowing V's cancer, so that we maybe get 10 years instead of 6 months? Or have her return during the Mikoshi scene, after she got better on the moon, and have her help Alt in curing us? Or suddenly have her voice on comms when you are approaching Crystal Palace:"V, it's Songbird. Thank you for everything, now it's my turn to help you. We will do this together".
Is it really too much to ask for one happy ending, in a game that has so many downers? Why even have multiple endings, when every ending is depressing?
I will not buy any future CDPR games, as long as this writing team is in charge of their games. Had these people written Witcher 3 it would have ended with Ciri dead and Geralt overdosing on potions 6 months later. I play games to have fun and enjoy myself and not to become depressed.
OK, I'm not done yet with the DLC, but I want to write this review fast so others can avoid my mistake.
I'm maybe 2 hours in the DLC and I'm so disapointed.
PROS
* Looks good
* New playground is always welcomed.
BAD
* So linear (at least this begining) I mean, it is literraly a glorified corridor.
* Scripted from head to toes (it's like a bad COD single player experience. As much scripted but worse shooting)
* Full of stupid decisions breaking the immersion (i.e. You are supposed to escort the president...that can't die...so actually you don't care about her)
* Where are my RPG choices? Where is my feeling of immersion?
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Последние 30 днейПоследние 90 днейПоследние 6 месяцевЛюбыеПосле выходаВ период раннего доступа
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